My current policy on music reviews is that I only review country singles that are “new”—that is, they have either just been announced and/or released as single, or have recently debuted on the Mediabase charts. However, that means that anything that doesn’t fit this criteria (or fit this criteria two months ago, but not since the blog started) gets ignored, so I decided to highlight some of the best stuff.
Chris Young feat. Vince Gill, “Sober Saturday Night”: For an album that was criticized as sterile and generic when it came out, I’m Comin’ Over has done pretty well for itself, with its first two single becoming No. 1 hits. Single #3 is “Sober Saturday Night,” and honestly, it might be the best one yet. It’s a nice twist on the “drinking to forget” trope commonly found in country music, and Young’s emotive performance meshes perfectly with the melancholy tone of the music. My only complaint: Gill is criminally underused on this track. Can a song really “feature” an artist if they’re relegated to singing barely-noticeable harmony vocals? They could have at least let Gill throw in a cool guitar solo or something…
Easton Corbin, “Are You With Me”: This song has about as unique a history as you’ll ever find: Originally an album cut on Corbin’s 2012 disc All Over The Road, the song became a surprise worldwide smash due via a remix by Belgian DJ Lost Frequencies, moving Corbin’s team to include the original song on their 2014 album About To Get Real, and even release a slightly-edited version as a single earlier this year. Neither the single nor the remix made much of a splash of the US charts, but that doesn’t change the fact that this is a great song featuring minimal-but-spot-on production and Corbin’s George-Strait-like delivery.
Chris Jansen, “Holdin’ Her”: Is this really the same guy who wrote “Truck Yeah” and took “Buy Me A Boat” to No. 1? In a sudden pivot towards more-traditional country, Jansen released an autobiographical ode to the special women in his life. The production is classic country, the delivery is solid, and the sentiment will bring a tear to your eye. This may be the best song on the radio right now.
Josh Turner, “Lay Low”: No, Josh will never be the next Randy Travis, but he’s still a darn good singer with some decent material in his catalog. “Lay Low” was supposed to be the leadoff single to his yet-to-be-released new album, but the song flopped on radio and Turner was subsequently put in mothballs for almost two years. It’s a crying shame, given the song’s stellar instrumentation and calm, relaxing mood. Turner has one of the best voices on country radio, and this song is him at his best.
Brett Young, “Sleep Without You”: I haven’t been impressed with the majority of new faces in the genre, but I’m cautiously optimistic about Brett Young after hearing “Sleep Without You.” The production is more contemporary than the other songs on this list, but it has a nice acoustic foundation and mixes together surprisingly well. Similarly, Young’s delivery is a notch below the other singers on this list, but he stays within his vocal range and does a good job of making the song sound believable. Finally, while there’s some underlying insecurity in the narrator’s insistence that he’s cool with his girl going out without him, it’s nice change of pace from the “girl as the shiny object in my truck” songs that permeated the Bro-Country era. The song is on track to top the country charts soon, and I’m genuinely curious to see how high Young’s ceiling is.
Bonus Rec: Levar Allen, “Take On The World”: Take a minute to appreciate what Allen’s done here: He’s remixed themes from Super Mario World into a solid backing track, written a clever Mario-themed rap to throw on top of his mix, delivered a stellar vocal performance with excellent tone and flow, and then threw in a custom guitar solo to top it off. This is some very impressive work, and it’s an absolute pleasure to listen to.