There’s a fine line between a chill song and a lifeless one, and unfortunately for David Lee Murphy, “Everything’s Gonna Be Alright” is the latter.
You’d be forgiven for forgetting that Murphy’s career existed at all: He peaked briefly in the mid-90s with tracks like “Dust On The Bottle” and “Party Crowd,” racked up five Top Ten Billboard hits over his nondescript career, and hadn’t released a single to radio since 2004. Suddenly, however, Murphy has a new album (No Zip Code) slated to release this year, with “Everything’s Gonna Be Alright,” a duet with album co-producer Kenny Chesney, serving as the leadoff single. In theory the song is meant to reassure and reinspire its audience in the face of tough times, but in practice the track is a plodding, monotonic mess that depresses the listener more than anything else.
The production is incredibly basic and bare-bones, with most of the song featuring a lazy one-note riff repeated over a drum machine. An organ jumps in on the chorus to add some background atmosphere, and an electric guitar provides a (boring) solo, but they’re not featured enough to add much to the song. The combination of a slower tempo with the dimly-toned guitar and drums sets a way-too-dark tone for the song, making it sound more like a funeral march than a relaxing beachside tune. Basically, the mix sets the exact opposite tone that it should, and makes what should be a hopeful, optimistic song feel dreary and boring.
Vocally, Murphy sounds about the same as he did when I last encountered him on “Loco” over a decade ago, but he’s hampered by two issues: The song constrains his range and traps him in his lower register for most of the song, and the echoey effects added to his lines make him sound even raspier than usual. As a result, his delivery comes across as monotonic and lifeless instead of relaxed and optimistic. For Chesney’s part, he sounds the same as he usually does, and while his performance lacks energy, he at least sounds invested in the track, unlike on “Bar At The End Of The World”). (However, the song is most definitely not written as a duet, which begs the question why Chesney was added in the first place…besides the obvious financial and radio implications, of course.) The pair appears to have some decent vocal chemistry, but the harmony vocals are so low in the mix that you barely hear them. Overall, the pair offers a tolerable-but-forgettable performance that is immediately washed out of your ears by the next song.
There isn’t a whole lot to the writing here, as the song just talks about the narrator being uplifted by a sign in a bar saying “everything’s gonna be alright.” It’s not a particularly deep or compelling tale, and doesn’t really offer any reason to feel optimistic outside of blind faith (basically, the message is “everything will be fine, because…it just will.”) Throw in the usual barroom and drinking tropes, and this song falls into the same category as Chris Janson’s “Fix A Drink”: A shallow escapist song that encourages peoples to ignore the problems around them instead of addressing them. It’s not overly offensive, but it’s not memorable either, and with the lyrics and production setting opposite moods, it’s not a terribly pleasant listen.
Overall, “Everything’s Gonna Be Alright” is a misnomer: If you mix shallow writing and tone-deaf production, everything’s actually gonna suck. “Loco” put a nice bow on David Lee Murphy’s career, and he would have been better off not chasing radio relevance with this half-baked track.
Rating: 4/10. Skip it.